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Undanceable (ART 3020, 2023)

by Philip Perkins

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    Gatefold CD case, with artwork by Kattt Sammon and design by Tom Dill.

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1.
graydie 04:07
2.
new whynt A 03:06
3.
uhoh C 02:21
4.
berryessa 03:59
5.
cold 02:50
6.
itza 03:03
7.
notre tom 04:13
8.
AKS 04:06
9.
dux A 02:25
10.
turloa 04:02
11.
sintiside A 04:11
12.
gongo E 03:27
13.
mofortesque 04:25

about

(musical sound scores for dance, 2022-3)

These pieces were made while thinking of dancers moving in, near and with the ocean.

"notre tom" is in memory of composer-performer-sculptor Tom Nunn.

For Nancy, Margaux and all the people of Alonzo King Lines Ballet.

(Headphones recommended. Shuffle play encouraged.)

credits

released September 2, 2023

Cover art: "Night Garden" by Kattt Atchley.

Cover design by Tom Djll

Additional vocals by Margaux Perkins

Undanceable was made with support, encouragment and participation from the dancers of Alonzo King Lines Ballet, Alonzo King, Robert Rosenwasser, Byron Roman, Lisa Fischer and Richard Misrach. Thanks, folks!

Some parts of this album were included in the score for Alonzo King's ballet Let Not Your Heart Be Troubled, performed with Lisa Fischer (live vocals) and photo projections by Richard Misrach and Clayton de l'Armee. The ballet premiered in San Francisco at the Yerba Buena Center for the Arts on April 15, 2023.

Parts of this album also appeared under the name "tollr-ourlea" on Soundcloud in 2022.

Apps used in the making of this work include Ableton, Reaper, Ongaku and Substantia.

More music and info:

philper.com/solo_albums__films_and_videos
philipperkins.bandcamp.com
artifactrecordings.bandcamp.com

license

all rights reserved

tags

about

Artifact Recordings San Francisco, California

ARTIFACT RECORDINGS is a project of Ubu, Incorporated, an artist-run, non-profit organization supporting experimental and electronic music based in the San Francisco Bay Area. Our download and compact disk series is dedicated to representing a living experimental music tradition that continues to thrive in the cracks between the commercial, academic and classical music establishments. ... more

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