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SIMULATED WINDS AND CRIES

from SIMULATED WINDS AND CRIES (ART 1013, 1996) by Jim Horton

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January 1992

Justly intoned sliding intervals selected by 1/f fractal patterns. This piece, like "I heard a Thousand Blended Notes" and "Rave Patterns", is among other things a signal processing piece. I play the processor interactively in real time just as I play the computer program. We find ourselves wandering upon an infinite plain. “In the likeness of the immeasurable inextincion of space, should the immeasurable inextinction of the minds of all beings be understood.” (line 258 of “The Perfection of Wisdom in Eight Thousand Lines”)

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from SIMULATED WINDS AND CRIES (ART 1013, 1996), released February 28, 1996

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Artifact Recordings San Francisco, California

ARTIFACT RECORDINGS is a project of Ubu, Incorporated, an artist-run, non-profit organization supporting experimental and electronic music based in the San Francisco Bay Area. Our download and compact disk series is dedicated to representing a living experimental music tradition that continues to thrive in the cracks between the commercial, academic and classical music establishments. ... more

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